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Chinchilla Arsehole, eyey

"No intension, it's just Tourette", Christian Hempel quickly clarifies when meeting new people. He cannot control his rants, insults and motor tics. They are reactions to the world around him. And he is not alone.

Chinchilla Arsehole, eyey from acclaimed Rimini Protokoll is a performance about Tourette with Tourette as a central player. Christian Hempel steps onto the stage with musician and geriatric nurse Benjamin Jürgens and politician Bijan Kaffenberger. They also have Tourette.

Chinchilla Arsehole, eyey is theatre like you haven't experienced it before. At first glance, it would seem impossible to create a theatre performance with Tourette: No manuscript is safe; no movement can be repeated. In addition, there are high standards for security. The players are cursing, making animal sounds and moving uncontrollably.

Chinchilla Arsehole, eyey is not a freak show and much more than a performance about a diagnosis. After the applause is over, it may become clear that this performance isn't really about Tourette. It is about the audience, about theatre and about the fear of losing control.

Produced by Helgard Haug / Rimini Protokoll (DE)

Performance period
27. - 28. maj. 2021

Venue Aarhus Teater, Scala

Duration 95 min.

TIME

Thursday 8 PM

Friday 8 PM

PRICE 185-300 kr.

AGE min. 12 years

LANGUAGE German with English subtitles

Artist talk after the performance Friday 

Relaxed performance

For all visitors who need more freedom of movement and comfort to follow the performance in a relaxed manner, extra reserved seats ("comfort seats") are available in limited numbers per performance. All tics are welcome. 

For questions about the accessibility of the performances, as well as for the reservation request of the "comfort seats", please contact ticket sales on: +45 86 13 88 66

About Rimini Protokoll

Rimini Protokoll was founded by Helgard Haug, Stefan Kaegi and Daniel Wetzel in 2000. They are one of the most interesting artistic groups of our time, known for being the innovative masters of documentary theatre and for experimenting with the format of performance art.

Work by work they have expanded the means of the theatre to create new perspectives on reality.

Many of their works feature interactivity and a playful use of technology.

Reviews

“Chinchilla Arschloch, waswas” does not celebrate being different but instead cele-brates the marvel that is humankind. Nobody is put on display; grown-up, straight thinking humans in all of their brokenness and all of their beauty present themselves"

www.deutschlandfunk.de

"On stage... we see three men with Tourette syndrome, who tell in an astoundingly cheerful manner of their daily struggle with themselves and particularly with a system within which they are seen as disruptive"

Spiegel online

Credits

Concept, text & direction

Helgard Haug

With

Christian Hempel, Benjamin Jürgens, Bijan Kaffenberger, Barbara Morgenstern, Stefan Schliephake and Sven Lüders

Composition & Music

Barbara Morgenstern

Stage

Mascha Mazur

Video

Marc Jungreithmeier

Light design

Johannes Richter

Dramaturgy

Cornelius Puschke

Dramaturgy Künstlerhaus Mousonturm

Anna Wagner

Sound engineering

Thorsten Löchl

Research & Artistic cooperation

Meret Kiderlen

Light design adaption Berlin

Sebastian Zamponi

Production management Künstlerhaus Mousonturm

Olivia Ebert

Assistance video

Lukas Lenfert

Production management Rimini Protokoll / Touring

Juliane Männel, Renée Merkel

Assistant Christian Hempel

Stefan Schliephake

Production assistant

Linn Günther

Photo credit

© Robert Schittko

Special thanks to

Production Künstlerhaus Mousonturm, Schauspiel Frankfurt, Rimini Apparat Co-production HAU Hebbel am Ufer, Westdeutscher Rundfunk Funded by Federal Government Commissioner for Culture and the Media

- within the framework of the Alliance of International Production Houses, Kulturfonds Frankfurt RheinMain

in the frame of “Erzählung.Macht.Identität” and by Haeuser-Stiftung für Kunst und Kulturpflege within the project series UNLIMITED II for the funding of exemplary positions of contemporary Performing Arts.

Performing rights

schaefersphilippen Theater and Medien GbR

Musikrechte

Barbara Morgenstern © Maobeat Musikverlag/Budde Music Publishing GmbH“